- 107 - 10923 - 0 - The Graph Music of Morton
نویسندگان
چکیده
Morton Feldman’s graphs merit attention because they altered the course of Western classical music, as John Cage observed in the epigraph to this volume. Early examples quickly gained notoriety in new music circles in the United States, becoming some of the very first musical works presented in a strikingly new notation to receive public attention. Moreover, they greatly affected Cage’s ownmusic, initially inspiring his recourse to chance operations and graph paper and subsequently encouraging his own experiments with indeterminacy and new notations. It is also likely that they affected the music of Earle Brown, who had already used similar ideas as tools in the compositional process without allowing them to take centre stage. Cage and Brown would go on to become leading proponents of graphic notations and indeterminacy, the use of which would flourish in the United States and Europe in the late 1950s and throughout the 1960s. There are other reasons for interest in these works within the narrower field of Feldman studies. In terms of sheer numbers, they represent approximately one-quarter of Feldman’s published output from the 1950s and 1960s and one-eighth of his entire catalogue, meaning that an understanding of his music as a whole is impossible without recourse to them. Additionally, his tendency to switch between graph notation and other formats in the 1950s and 1960s is a singular aspect of his approach that invites scrutiny, as is the fact that the grids that underpin the presentation of his graphs eventually surfaced in modified form in his nongraph works. Despite their historical pedigree, Feldman’s graphs have been performed only infrequently and relatively few recordings have been issued. First commercial releases of three, including In Search of an Orchestration (1967), which Feldman regarded as the culmination of this subset of his music, appeared as recently as 2005, and in four cases, there remains only one extant recording at this time. Given that the graphs allow a
منابع مشابه
MAXIMAL INDEPENDENT SETS FOR THE PIXEL EXPANSION OF GRAPH ACCESS STRUCTURE
Given a graph G, a visual cryptography scheme based on the graph G is a method to distribute a secret image among the vertices of G, the participants, so that a subset of participants can recover the secret image if they contain an edge of G, by stacking their shares, otherwise they can obtain no information regarding the secret image. In this paper we apply maximal independent sets of the grap...
متن کاملEmpyema Caused by Pseudomonas luteola: A Case Report
INTRODUCTION Pseudomonas luteola is an uncommon opportunistic pathogen. It is recognized as an uncommon cause of infections in underlying medical disorders. Infections caused by this microorganism are health care associated. CASE PRESENTATION The current study isolated P. luteola from empyema in a patient with tuberculous pleurisy, whose susceptibility to trimethoprim-sulfamethoxazole differe...
متن کاملبررسی تأثیر موسیقی بر پاسخ های قلبی- تنفسی و شاخص درک تقلای مردان ورزشکار هنگام فعالیت ورزشی فزاینده
Background: The purpose of this study was to study the effect of fast music rhythm on cardio- respiratory responses and perceived exertion rate during incremental exercise in athletic men. Methods : Ten athlete males (age: 22 2.44 yr, height: 176 ± 6.72 cm, weight: 69.4 ±4.65 kg), voluntarily performed Bruce protocol until exhaustion with fast music condition, and cross-over format, with 72...
متن کاملEffects of the Absence or Presence of Music on Consumers Emotions towards Product Placements
of Thesis Presented to the Graduate School of the University of Florida in Partial Fulfillment of the Requirements for the Degree of Master of Advertising EFFECTS OF THE ABSENCE OR PRESENCE OF MUSIC ON CONSUMERS EMOTIONS TOWARDS PRODUCT PLACEMENTS By Dyani Chiu May 2006 Chair: Cynthia Morton Major Department: Advertising This study attempted to determine whether or not the absence or presence o...
متن کاملUnderstanding Attitudes toward Online Music Piracy
Online piracy of copyrighted digital music has become rampant as internet bandwidth and digital compression technologies have advanced. The music industry has suffered significant financial losses and has responded with lawsuits, though online music piracy remains prevalent. More effective approaches to fighting music piracy can be developed with the aid of an understanding of individual attitu...
متن کامل